Peabody Essex Musume
1 New Liberty Street, Salem, MA 01970.
Open Tuesday-Sunday, 10 am until 5 pm. Closed Mondays (except holidays).
PEM is offering free admission over Martin Luther King Jr. weekend in celebration of the opening of our special exhibition Jacob Lawrence: The American Struggle.
Take the MBTA Commuter Rail (Newburyport/Rockport line) to Salem station
Jacob Lawrence: The American Struggle is the first museum exhibition of the series of paintings Struggle: From the History of the American People (1954–56) by the best known black American artist of the 20th century, Jacob Lawrence (1917–2000). Created during the modern civil rights era, Lawrence’s thirty intimate panels interpret pivotal moments in the American Revolution and the early decades of the republic between 1770 and 1817 and, as he wrote, “depict the struggles of a people to create a nation and their attempt to build a democracy.”
Reunited for the first time in more than sixty years, the Struggle paintings revive Lawrence's way of reimagining American history as shared history. Utilizing historical fact to underscore universal values, he created a broader narrative of U.S. history by pairing image and text, quoting a range of voices and rendering figures from prominent Founding Fathers to underrepresented historical actors. The paintings of the series, along with works by contemporary artists Derrick Adams, Bethany Collins, and Hank Willis Thomas, resonate with the effortful pursuit of democracy, justice, truth, and inclusion — struggles ongoing around our nation and the world today. The exhibition, organized by PEM, will tour nationally.
Share your impressions with us on social media using #AmericanStruggle.
Jacob Lawrence: The American Struggle is organized by the Peabody Essex Museum. This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov. Carolyn and Peter S. Lynch and The Lynch Foundation, Jennifer and Andrew Borggaard, James B. and Mary Lou Hawkes, Kate and Ford O'Neil, Henry and Callie Brauer and Burt Adelman and Lydia Rogers provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
Jacob Lawrence (September 7, 1917 – June 9, 2000) was an African-American painter known for his portrayal of African-American life. As well as a painter, storyteller, and interpreter, he was an educator. Lawrence referred to his style as "dynamic cubism", though by his own account the primary influence was not so much French art as the shapes and colors of Harlem.He brought the African-American experience to life using blacks and browns juxtaposed with vivid colors. He also taught and spent 16 years as a professor at the University of Washington.
Lawrence is among the best-known 20th-century African-American painters. He was 23 years old when he gained national recognition with his 60-panel Migration Series,painted on cardboard. The series depicted the Great Migration of African-Americans from the rural South to the urban North. A part of this series was featured in a 1941 issue of Fortune. The collection is now held by two museums: the odd-numbered paintings are on exhibit in the Phillips Collection in Washington, D.C., and the even-numbered are on display at MOMA in New York. Lawrence's works are in the permanent collections of numerous museums, including the Philadelphia Museum of Art, the Museum of Modern Art, the Whitney Museum, the Phillips Collection, Metropolitan Museum of Art, the Brooklyn Museum, Reynolda House Museum of American Art, and the Museum of Northwest Art. He is widely known for his modernist illustrations of everyday life as well as epic narratives of African American history and historical figures.
HANK WILLIS THOMAS (b. 1976, Plainfield, NJ; lives and works in Brooklyn, NY) is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture.
Derrick Adams (born 1970) is an American visual and performance artist and curator. Much of Adams' work is centered around his Black identity, frequently referencing patterns, images, and themes of Black culture in America.